The bill alone Tuesday night at Valentine’s was strong enough for me to ignore any excuses I could concoct about not possibly attending on a work night. WCDB and B3nson Records presented a diverse yet compatible blend of local and celebrated indie acts of Neighborhood of Make Believe (ALB), Former Belle (PHIL), Barons in the Attic (ALB), and hailing from the South, the headlining Colour Revolt.
I hauled ass through an ice-coated Albany and walked into the dimly lit music bar just in time to catch the catchy ear worm cover of Neutral Milk Hotel’s “In the Aeroplane Over the Sea.” I arrived as their set was concluding and saw that the band playing, Neighborhood of Make Believe, spawned from members of Sgt Dunbar and the b3nson fam. With a “WCDB” banner and an aged yellow and green floral sheet as backdrops to the stage, it was pleasantly fitting that the bar, for the most part, was loosely packed with friends, familiar faces and friendly strangers alike.
“I used to write a lot of dumb songs about girls,” said the lead singer of Former Belle. “This is one of them.” His shy yet curiously confident demeanor directed the band’s immediate dive into their set with high-energy. Former Belle let it be known early on that they didn’t travel from Philadelphia to deliver a sub-par performance. If I had to describe their stage presence in one phrase it’d be “straight-up passion.” Former Belle is a 4-piece that features an upright bass, violin, keys, drums and acoustic/electric guitars. Their violinist, Jaime Balinksi, was both endearing and talented. Their folk sound was reminiscent of a Bright Eyes flavoring with Cursive outbursts at times, and some theatrical chanting and carnival-esque finger-picking moments.
As Barons in the Attic started setting up, people already were dancing and yelping. Barons, a part of the B3nson crew, is a local 5-piece known for their monstrous instrumentation and explosion of sound, in addition to occasionally hosting awesome basement shows. They blend in acoustic folk accents to their sound but I’d personally consider them more of an alternate rock band. Barons is all about getting their music out there (as all musicians are) but there’s an authenticity behind their networking efforts that really works for them. They make it clear that they are just as serious about their music as they about people enjoying themselves, which translates into a guaranteed fun live show. In addition to individually being musically gifted, Barons’ likes to mix it up — pretty much swapping instruments every other song in a musical chairs type fashion. Playing some crowd favorites, such as “Blue York City” “Song 3.0″ and “Wintery Mix,” resulted in vocal support from more than a handful of show goers. Barons also threw in some new songs into the mix, all with a spontaneous nature of basically scrapping their set list due to pressing time constraints. They concluded with “My Old Soul,” merrily paving the way to Colour Revolt’s Albany debut.
Colour Revolt, in recent years has powered through a bit of a dreary ride, changing labels and members, and therefore experimenting with their sound. Colour Revolt’s set featured songs off their new album, “The Cradle,” released in 2010. The black and white checkered floor wasn’t visible as people crowded around the stage, abandoning the back of the bar. The centered drum kit was glowing, with an energy-efficient bulb placed inside the bass drum, illuminating a sweet, messy red and green acrylic paint job on the outside. They kicked off with songs, “New Family,” and “8 Years,” and reverb heavy vibrations shook the room, establishing a rough-around-the-edges solid vibe to the night. With fast paced rhythms, distortion, korg effects and dual guitars, they balanced spacy riffs with a heavier sound. Core members Sean Kirkpatrick and Jesse Coppenbarger both play guitar and sing, creating a duality that works for the band. Other highlights included “Our Names,” “Moses of the South,”Naked & Red,” and “Mattresses Underwater.”
Colour Revolt is adaptive and interactive. At one point, Sean Kirkpatrick (vocals/guitar) took advice from Prima‘s Collin Reynolds in asking to adjust the volume on the vocals. The bassist, Luke White, halfway through their set, handed photographer Patrick Dodson a winning scratch-off for $5 in exchange for a beer. After the show, inching closer to 1am, all the bands hung out at the bar and sparked cas ual conversation with the other bands and some late-night lingerers alike. They have the professionalism of seasoned pro’s while still maintaining a relatable DIY polish. Overall, the type of bands that do their thing regardless of the venue or turn-out, are always the ones that make an impression on me. Thankfully, Valentine’s played host to an eclectic batch of bands that all fit that category.