Duncan’s Music Monday: Keep Albany Weighty

While just relaxing with the internet, it become infinitely easier to find cool shit. WIth that said I’m going to highlight a few dubstep tracks that are in my opinion good. These tracks may not be real new in terms of their release, but are new to my ears. *Read this with a cockney accent.

Far East Movement – Like a G6 (Dexcell Dubstep Remix) by Dexcell UK

Recently female leads in dubstep songs have become the object of my affection. Almost no matter what track it is, if there is a female lead I will like it substantially more. This remix by Dexcell does a good job at not over emphasizing the wobble. There are so many hyper electro dubstep songs coming out with female leads that when something like this skips along it should be highlighted. THe song treats the chorus differently allowing the dance floor to switch their footstyle and prep for the drop. Overall its just a solid track. Slow and Low right till the end.

The Glitch Mob-Drive It Like You Stole It-(GladKill Remix) by Gladkill

Glitchy dubstep when well executed is always very well received by my ears. This track has a nice low booming bass line and a fairly clean easy to follow progression of tone. Just a nice relaxed jingle.

Chase & Status – Blind Faith (ft. Liam Bailey) by ALXRSE

This track just speaks for itself. Its just massive and the builds in it are real top notch. Just big and full figured. MASSIVE CHUNE.

Lunice – Fancy Forty (Rustie Remix) by frankyboy

Rustie is what I would consider a power producer. He uses leading synth parts to really drive the track along. What I like the most is the simplicity that his songs have in their construction. It reminds me of 00-04 popular rap tracks but in a more refined way. He hits it out of the park with this catchy remix.

Keep Albany Boring x Marketplace Gallery x Deep Children New Year’s Eve Recap

Whoa.

So the Keep Albany Boring x Marketplace Gallery x Deep Children New Year’s Eve party went off with out a single hitch.

I woke up, got the photo booth packed up, our dj stuff packed up and headed over to the gallery at six. We set up, sound checked and then waited. I legitimately didn’t know whether people were going to show up, and right at nine there were groups of people heading in. After thirty more minutes, even more people kept flowing in and by when I started my dj set at ten there were people all over.The photobooth was getting used a ton by passers by, which is awesome that I didn’t have to tend to it all night. Mine and Duncan’s sets went great all things considered. Deep Children went on at eleven and absolutely murdered the room. Scott and Ryan were on fire and the dance floor definitely agreed. I really can’t state how amazing the set they played was, but those there can attest as I had overheard at least four pairs of people conversing about things such as “who are these guys and why don’t I know them” and “holy fuck these djs are so good”. The countdown was fun (of course) and there was plenty of champagne and confetti to go around. At that point it was wall to wall people, and they were going hard for about another two hours. Cops eventually came as things were getting close to wrapping up anyway and didn’t give us any shit.

Everything was awesome and everyone had an awesome night.

I can’t thank Samson for allowing this to happen as well as Scotty and Ryan for ripping everyone’s faces off with such good tunes. And I can’t thank everyone who came and had fun with us!

The photo booth was a blast.

Especially when it caught things like this:

And once people were packed in there was no way to have enough room for the booth, so I hopped around with the camera and got a good representation of the mood in the room.

Big shout out to Ron for being the sober dude who voluntarily drove around all the drunks!

The hallway outside the party alone was nuttier than some parties I’ve been to.

Big shout out to the nice beer retrieval lady!

If you want to check out all the photos, you can see the set on my flickr, or as a slideshow.

Deep Children x Keep Albany Boring Mixtape!

Well would you just look at that. My good buddies Deep Children have hooked it up super proper with a promo mixtape for the big New Years event we’ve got set up. A bunch of original Deep Children stuff in the mix, as well as a healthy serving of (actually good) dubstep and some nice bits of UK Funky for good measure. Hit that play button already! The little downward arrow in the player below will download this mix so you can get hyphy on your iPhone/iPod/Android/Wackberry.

Be sure not to miss the post below this with all the details about Deep Children DJing The Marketplace Gallery for New Years!

Deep Children X Keep Albany Boring by mycon deep

Tracklisting
Girl Unit – Showstoppa
Taz – Gold Tooth Grin
SRC – Ryoku
Terror Danjah – Air Bubble
Blawan – Iddy
Pearson Sound – Blanked
Girl Unit – IRL (Bok Bok remix)
Dubbel Dutch – Pulso
Breach – Fatherless
Redlight ft Ms Dynamite – What You Talking About? (Roska remix)
Redlight ft Ms Dynamite – What You Talking About? (Original)
Doc Daneeka – Drums in the Deep
Fis T – Night Hunter
Mosca – Square One VIP
Slackk – FIreflies
Lil Silva – Perfussion
Marco Del Horno – Ho! Riddim
The Hundred in the Hands – Pigeons (Blawan’s Bare Bones remix)
Ramadanman – Grab Somebody
Subeena – Wishful Talk (Ghosts On Tape remix)
Mommas Boy vs Mikix the Cat – At Night
Julio Bashmore – Batak Groove
Sepalcure – Love Pressure
Sinister Souls – Crackdown
Reso – Technetium (Vent Remix)
Looney – Limited Space
Kanji Kinetic – Zombiezz
Freestylers ft. Pendulum – Painkiller (Kouncilhouse Remix)
Bassnectar & Datsik – YES
Vent – Shogun of The Dark
Mimosa – Pushing Up Daisies
Zeds Dead ft. Omar LinX – Out For Blood
Looney – Clean Living
Starkey – Starting Gates
Soulja Boy – Pretty Boy Swag (Cyberoptix Remix)
Torqux & Twist – Master Debator
Liquid Stranger – Step By Step
DJ-Me – Beastiality
Pariah – Safehouses

Keep Albany Boring x Deep Children x Marketplace Gallery New Years!

Too many broken up house parties right as it was getting fun. Too many shitty venues with shitty music charging $10 covers and making you suffer through that same played out song. This is thrown by your friends and the money will go to keeping the gallery running, this website hosted, and getting Deep Children their own sound system; not some dickheads venue owner’s BMW payment. You owe it to yourself to come support your friends and have the best New Years possible!

It wouldn’t be without the help of The Marketplace Gallery and Deep Children that this would be possible. Do yourself a favor and click those links and see what they’re about if you don’t know!

Recap: Pretty Lights at the Washington Avenue Armory

Pretty Lights headlined at the Washington Avenue Armory on Saturday night. I spent $26 on a ticket (plus an additional $5 in fees) and went with a group of friends. None of us were particularly familiar with Pretty Lights, or even the genre, and we didn’t quite know to expect.

To do my homework, I listened to as much Pretty Lights as I could the night before to try and familiarize myself with his work. Pretty Lights consists of DJ Derek Vincent Smith, who has been in the electronic music scene since 2006. On Saturday, drummer Adam Deitch accompanied him. Nothing I found online, however, could prepare me for the actual experience.


Photo: Keith Foote of jamforums.com

Due to the difficulties of wrangling cab rides for a large group of people (did anyone actually drive to the event?); I arrived late and missed opening acts Michal Menert and Chali 2na. However, the crowd seemed to love them. I arrived as the second act was finishing and there was already a swarming pit of dance and emotion. The collective state of mind could be described as altered, to say the least. Many fans rolled into the Armory ready to be taken over by the music. That is, those that didn’t have to wade through the immense blob of people waiting at the will-call line.

A thick haze of smoke hovered lazily over the mob of fans and helped enhance the dreamlike quality of the lightshow that was melting faces left and right. Lasers shot everywhere, illuminating the entire room. Behind Smith, a large LCD screen constantly assaulted viewers with continuously morphing images of abstract designs and colors. Strobe lights flashed in machine-gun bursts of radiance. In the pit itself, glow sticks and other flashing accessories cut through the darkness and helped to integrate fans into the spectacle. Clusters of people banded together, passed around water bottles, and let themselves be carried away.

Smith himself maintained a relatively low-key presence. He didn’t speak much, except to occasionally urge the crowd to cheer.  Despite the heat from the lights, he kept his hood on throughout the performance. His calm demeanor on stage stood in stark contrast to the zoo below.

The music could be described as a soulful and intense dance party. A constant thumping beat progressed throughout the performance, highlighted by Adam Deitch’s live percussion. The inclusion of a real drummer, rather than a recorded beat, gave the show a fluidity and naturalness that lent itself well to the expressive nature of the visuals. It was like being consumed by a living, breathing, glowing organism. The collective bodies of the listeners in the crowd swayed and grooved in time with the fat and even funky sounds produced by Smith.

The event transpired relatively hassle free. As far as I was aware, there were no serious fights or any other forms of static. I did see a dazed and frightened young hippie hurry out of the arena with a comatose girl slumped over his shoulder. I hope she’s okay.

At the end of the set, the crowed erupted in a loving rush of gratitude. Smith returned for his encore, apparently impressed by the applause. “Damn, Albany,” he drawled, cigarette in hand. That seemed to be enough for him, however, and he finished off the night with an “Empire State of Mind” and “Juicy” mash up that was definitely a crowd pleaser.

After the show, the crowd poured out onto the street and commenced a fierce battle over the cabs that began swarming the venue. Fans dispersed in small groups, their ears still ringing from the deafening display of phatness they had just ingested.

Article written by Charlie Vella for Keep Albany Boring.