Sean DoodySean Doody

Historian. Writer. Critic. Sometimes designer. Born and raised in Albany. Currently residing in Brooklyn, like hundreds of other upstate colonists.

All articles by Sean Doody

 

KAB Interview: Hans Leibold

Full disclosure: For four years, Hans and I played together in End of a Year. We’ve got history; we’ve got memories. As that band evolved into Self Defense Family, Hans left to explore other interests he’d neglected—among them, DJing. Lately, he’s been shaking up the Fuze Box’s weekend playlists; if you’ve heard 1000 Ohm’s “Love
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Recap: Tragedy at Le Poisson Rouge

Le Poisson Rouge is not a punk club. Not that it avoids heavier music entirely – the West Village venue’s upcoming events calendar features appearances by Rorschach and Converge, among others. But the club hosts a wide range of live performance, from indie shows (another one coming up: the Clean and Times New Viking) to
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Recap: Kraftwerk at MoMA

Tickets for Kraftwerk’s eight-night retrospective sold out almost as soon as they were announced. Why wouldn’t they? Eight nights, eight albums, one a night: a chronological showcase of their entire electronic period. I knew about it, but entertained no dreams of attending. I wasn’t fast enough; besides, I was broke. But a friend won a
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Review: Magazine, No Thyself

Could Magazine have been the biggest band in the world? Not a chance. Next question: did they want to? When lead singer and founder Howard Devoto quit the band in 1981, he cited low album sales as the reason for his departure. Devoto was twenty-nine then, by which age he should have either succeeded in
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Review: The Men, Open Your Heart

So, wait – everyone’s fine with this? Brooklyn’s the Men have been attracting some media attention lately. Not internet attention – the real kind; the square kind. The New York Times kind: in a write-up of their March 7 Williamsburg loft show, reporter Ben Ratliff vacillates between lauding the Men and disparaging them, although in
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Review: Cloud Nothings, Attack on Memory

This is the sound of growth, of maturation, of evolution. It’s the illustration of the axiom: talent borrows; genius steals. It’s the sound of adolescence becoming adulthood. A grandiose introduction for a record review, to be sure. But the Cloud Nothings’ second album Attack on Memory (released in January) takes such a quantum leap from
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Must Shrug TV: Why It May Be Time to Let Community Go

NBC announced its midseason schedule yesterday; Community is not on it. I fear it’s not long for this world – something I hate to say that about my favorite current TV series, but I have to accept it. So much of the show works. It’s well-acted and well-written; the study group at the show’s core
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Bus Jamming: A commentary on CDTA’s modernization

Perhaps you’ve noticed some changes to Albany’s bus stops in the past few weeks – blue slipcovers over signs informing riders that the stop is slated to be discontinued, or green covers announcing a new one. Effective Sunday, November 13, the Capital District Transportation authority is enacting a massive restructuring to its service in Albany
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